Transcultural hybridity in the post-Yugoslav theater

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Hybridity has become a master trope across many spheres of cultural research, theory, and criticism, and one of the most widely used and criticized concepts in postcolonial theory. This article begins with a thorough review of the interdisciplinary scholarship on hybridity. Then it revisits the trope of hybridity in the context of a series of articles on cultural globalization published in the ...

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ژورنال

عنوان ژورنال: Zbornik Akademije umetnosti

سال: 2020

ISSN: 2334-8666,2560-3108

DOI: 10.5937/zbaku2008016a